George Balanchine © The George Balanchine Trust
Photo © Paul Kolnik
Agon is the Greek word for contest; the movements of the ballet are named after French court dances. The score was commissioned by New York City Ballet with funds from the Rockefeller Foundation and dedicated to Lincoln Kirstein and Balanchine by the composer. Together, Balanchine and Stravinsky designed the structure of the ballet during the creation of the music. The outline for the score specifies in detail, with exact timings, the basic movements for twelve dancers clad in simple black and white costumes.
Igor Stravinsky (1882-1971), born in Russia, is acknowledged as one of the great composers of the 20th century. His work encompassed styles as diverse as Romanticism, Neoclassicism and Serialism. His ballets for Diaghilev’s Ballets Russes included The Firebird, Petrushka, The Rite of Spring, and Apollo. His music has been used in over thirty ballets originating with New York City Ballet from 1948 through 1987, including Danses Concertantes, Orpheus, The Cage, Agon, Monumentum pro Gesualdo, Rubies, Symphony in Three Movements, Stravinsky Violin Concerto, Concerto for Two Solo Pianos, Suite from L’Histoire du Soldat, Concertino, and Jeu de Cartes.